Orange with gold is the older pairing, and on the Evelyne 16 it reads like a piece from a vintage travel poster: warm, saturated, slightly retro in the best sense. On a camel coat in October it is the finishing line of an outfit. The silver version of this bag is cooler and sharper; both are honorable, and I own the gold because my wardrobe runs on camel, tobacco and rust.
The leather underneath is the same soft Clemence, pebbled and matte, eighteen centimeters across and sixteen high, five deep, with a slouch that keeps the saturated color from looking like plastic. It carries the day’s short list, phone, wallet, keys, and it hangs light enough to forget. The strap runs over the shoulder or across the chest without adjustment fuss.
My one hesitation is atmospheric. In amber evening light the gold hardware and the orange leather get close enough to blend, and the bag loses some definition; daylight is its true home. In the morning, in a window, it is one of the best things I own. It is a daylight bag, and it knows it.
I take mine on trips more than anywhere else, and it earns its place in a suitcase by making a beige hotel-room outfit look deliberate. If you are deciding between the two hardware versions, choose gold for warmth and silver for contrast, and you will have answered your own question. It has never let me down on a trip, and it has taken several.









































