Anemone is the showiest colour in the line and the least pretentious about it: P9 is a saturated purple-pink, somewhere between cyclamen and beetroot, with none of the icy reserve that purple usually carries. On chèvre’s natural grain it has a softness around the edges, like watercolour laid on thick.
The Kelly Mini 2 gives the colour a small, wearable stage — 19 x 12 x 5.5 cm of it — and gold hardware is the only fit, warm metal against a warm flower. I carry phone, card case, keys and lipstick, crossbody or over the arm, and it has become my default bag for dinners where everyone else wears black. Chèvre keeps it light, so the colour feels like an accessory rather than a commitment.
Styling notes: this purple wants a plain backdrop — charcoal, navy, camel, cream and denim all let it shine, and it looks especially good against olive, an unexpected pairing I now rely on. Because chèvre is soft from day one, the flap rests naturally closed and the sanglé closure presses down without a fight.
Honest final thoughts: a colour this distinctive limits how often it can be carried without it becoming your signature, so buy it intending to be noticed. Chèvre’s fine grain will take faint fingernail traces on the flat of the flap, more visible against saturated purple than on light shades — a fingertip and a dot of cream is the whole remedy. Handled without fuss, this is the bag that finally made me stop buying black.

























































