Gold hardware on a colour called Gold is either a mistake or the whole idea, and having carried this bag for a season I can report it is the second. Colour 37 is a camel-tan with a honey cast, and the gold-tone H extends that warmth upward, so the bag looks like a single cast object – an old brass instrument in leather form. It is the warmest bag I own, and I mean that aesthetically.
Epsom’s contribution is precision: the pressed grain keeps the tan even and the structure rigid, so the warmth never tips into softness. The frame is a compact nineteen by fifteen centimetres with four centimetres of depth, flap flush, corners sharp. Dressed up or down, it holds its line – with a cream knit and boots in winter, with a white shirt and denim in June.
My daily content fits in one layer: phone, compact wallet, keys, a lipstick, a small hand mirror. The strap sits crossbody at a set length; I often push the bag to my back when sitting at a cafe so the flap stays clean. The interior slip pocket takes cards, and the main compartment has never once failed to close over my regular load.
A seasonal note: tan leathers show water spotting more than darker colours, and although Epsom repels most of a light drizzle, a proper soaking is best avoided and treated by blotting. Also, if your wardrobe lives in cool greys and blues, this bag will be the warm outlier in it – which is precisely what I bought it for, but worth saying out loud.















































