Gold is the colour that started everything, a caramel leather that looks almost edible in sunlight and deepens to chestnut indoors. On the flat Videpoches body, with its single fold and two snaps, it reads like a well-worn travel wallet that grew a strap. It is also the shade that hides coffee-ring accidents best, which matters on a bag that sits on tables.
Just over ten inches of length and about an inch and a half of depth: enough for my phone, cards, keys and a passport without ever announcing itself under a jacket. The fold-down front opens wide so I can see the whole contents at a glance, which matters at a ticket counter. It is the bag I hand to people who ask what a flat crossbody can actually hold.
The adjustable shoulder strap is Fibre canvas rather than leather, a deliberate, lighter pairing that keeps the bag from feeling precious, and it goes long enough for crossbody on me. Togo in Gold has a warm, pebbled surface that takes on a honeyed depth where it creases. Where the fold creases, the colour deepens a shade, and I like that map of use.
If you insist that every strap match its bag’s leather, this one will bother you slightly; the canvas is the point, though. It sheds weight, dries fast and travels through a rainy city week without a mark, which matters when the bag lives on your shoulder from morning to night. If the canvas strap is your only objection, the trade is a good one.











































