Before cars had names, fast carriages had mythology, and Les Roues de Phaeton rides that idea: Phaeton, driver of the sun’s own carriage, wheels as emblems of speed. Pierre Marie’s drawing gives the subject a buoyant, poster-like energy, and the bandana treatment, all over and evenly weighted, means the pattern works from every fold angle instead of one perfect orientation. Marie’s line has the energy of old travel posters, and that is the point.
I treat it as road-trip kit. Around the neck in the car, spread over the lap for the cold part of the morning, thrown across the shoulders at the first stop; the repeating motif never lands badly and never demands a mirror. The repeat also forgives a rough life: a fold here or a twist there never breaks the composition. The cashmere-silk blend is what keeps that flexibility honest, warm enough for a chilly breakfast terrace, light enough to ignore while driving.
It is a 140-format shawl in 70% cashmere and 30% silk, roughly 53 by 54 inches, made in France with edges rolled and stitched by hand, so exact dimensions vary marginally from shawl to shawl. The bandana border keeps every corner anchored, so it photographs like a poster on the shoulders.
What to know in advance: even, allover prints can look flat if you style them rigidly, and this one comes alive with volume, tied loose, worn slouchy. Fold it once more than feels tidy, and its vintage wheel-line energy appears. Worn over denim or canvas, it looks like it has always been there.













































