Green is either a dare or a default, and Bambou is firmly the first. This is the vivid, lacquered-bamboo shade that looks flat in photographs and alive in person — 1K has a juiciness to it, and Togo’s pebble grain makes the colour move as light changes across the surface. I have owned quiet greens that apologised for themselves; this one does not.
In a 25/20/13 cm frame the bag contradicts its own boldness in the hand: it is compact, sits close under the arm, and holds an A5 notebook along the base with a pen beside it, which makes it a better everyday bag than the colour suggests. The main compartment takes a wallet, phone and keys with room left over, and the back slip pocket keeps a train ticket where you can reach it without opening the flap.
Gold hardware against deep green is an old pairing for good reason — it reads grown-up rather than loud, and the turn-lock’s warm plate gives the eye somewhere to settle. The clochette hangs long enough to actually reach, the padlock has real weight, and the base studs hold the leather clear of whatever surface the bag meets.
Honest notes, two. Bambou narrows your palette: it wants navy, cream, grey, black and denim, and it will argue with beige and pastels. And a practical one — the back pocket is cut slim, so a modern phone in a thick case will argue with it. Otherwise this bag gets better with use rather than worse; just do not expect it to stay showroom-stiff past the first month.











































