Black with gold is the oldest pairing in leather goods, and it still works when the proportions are right. The Dogon in 89 Noir gets them right: the gold keeper is the only metal on the outside, and it sits small against a large field of black Togo, so the eye sees the wallet first and the hardware second.
Twenty by twelve centimetres sounds like a lot of wallet until you hold it. The fold is deep enough that a passport and boarding passes go in together for a trip, and slim enough that it disappears into a tote. Around town I keep it leaner: four cards, a spare transit card in the middle and a note or two behind the sleeve. The strap-and-keeper closure is the part I use least at home and never notice when travelling, which is how a closure should behave.
Togo’s grain gives black real depth under light — closer to charcoal than to ink — and it shrugs off the two things that age black leather fastest: fingerprints and pocket lint. After a winter in a coat pocket the surface still photographs as new, and only the corner nearest my thumb carries the shine of constant handling.
My honest note is about weight and method rather than quality. Loaded for a trip, this is a substantial object, and it does not want a trouser pocket or a slim crossbody. Used as a jacket or bag wallet, which is what it is built to be, it has been faultless; the gold on the keeper has kept its colour through rain, keys and one forgotten night in a coat pocket.













































