The two-tone R.M.S. card holder is the one I reach for when I want a plain object to have one opinion. Blue Nuit on the outside with Vert Titine showing at the edges and interior gives the piece a quiet argument between dark and bright, and the enamel fitting sits between the two like punctuation.
The format is 10.5 by 7 cm and a full 2 cm deep, in Evecolor calfskin whose matte finish keeps both colours from competing. Cards load from the side, and the depth means a stack of six sits level rather than bulging at the middle.
I use it as my daily front-pocket piece: transit card on the face, two bank cards behind, a folded note in the middle. The green flashes only when the holder is open, which is a nice way to keep a bold colour private.
One thing to weigh: two-tone designs are harder to pair than single colours, and this combination wants a dark bag to keep the blue reading as navy rather than black. Set against that, the leather is soft enough that the holder bends comfortably into a pocket, and the enamel has taken steady handling without a mark.
Where it goes: dinner with people who look at what you set on the table, and quiet days when you want one thing on your person that is not trying to match anything. It sits on a restaurant table like a small sculpture, and it has taken the nearest thing to a compliment a card holder ever gets, which is being asked where it is from.



































