Graphite sits between black and grey in the most useful way: dark enough to read as formal in a meeting, light enough that you can find it by touch inside a black-lined bag. The silver snap against the stamped grain gives it a faintly technical look, the sort of wallet that belongs in a coat pocket next to a phone.
The proportions match the rest of the line, 18.5 cm wide and 11.5 cm tall with a 4.5 cm folded depth, but the dark grey against silver makes it look tidier in the hand than a bigger wallet of the same footprint. Because of the gusset it opens flat, so every slot is visible at a glance.
In use I keep nine cards, a folded note for emergencies, coins in the zip and a spare key flat behind the note channel. Epsom is stamped and rigid, so the slots do not stretch out of shape the way softer leathers can after a few months of daily handling.
The trade-off worth knowing: graphite’s matte surface picks up greasy fingerprints around the snap tab, and unlike black it shows them in daylight, so a wipe now and then is part of owning it. Otherwise this is the quietest way I know to carry a handmade wallet.
Who it suits, finally: anyone who wants a wallet that cannot be pigeonholed. It is at home in a suit or in a coat pocket on a walk, and the grey keeps it from being either precious or invisible. That flexibility is why it has quietly become my default.











































