Gris Etain is what I reach for on mornings when black feels too severe and pale grey feels too bare. There is a green-brown undertone under the grey that shifts with the light, and the silver hardware leaves that cool, overcast feeling alone instead of warming it up.
I use it as a commuting folio. The pouch runs 25 cm across, 19.5 cm down the flap and 4 cm through the middle, room for a travel wallet, two cards I keep apart from my everyday wallet, and a pen along the edge. The depth sets the limit: a phone and a full wallet are comfortable, a paperback is optimistic.
Togo shrugs off daily handling. It is pebbled enough to swallow a fingernail mark and matte enough that it never looks varnished, and after a season the flap settles into a slight bow. Anyone who wants it to stay glass-flat should choose Epsom instead; I like the softening.
Silver on Etain is the coolest pairing in the range and the one that survives airports without looking handled. I keep it out of heavy rain, though, because Togo is not a leather I trust in a downpour, and grey holds a waterline longer than black does.
Where I would place this one in a collection: it is the pouch I use when the folio is the only leather on me. No bag, no belt, no watch, just the grey in hand. It holds its own line without help from anything else, which is more than I can say for the paler colorways.

































