Esquisse beige is the palest stop in this range, closer to raw linen than to sand, and on a suede and calf upper it behaves like an unfinished sketch: outlines first, colour second. It is the airiest-looking men’s Bouncing I have handled, and the one I wear with stone-coloured linen in July.
Construction is otherwise the familiar leather recipe: calfskin for the frame, suede goatskin over the flex points, a four centimetre white sole edged in black rubber inserts, and Esquisse beige lamb’s skin through the insole and lining. Even the fabric ribbon at the heel stays in tone. Italian-made, in men’s sizes 40 through 46.
In wear, the pairing of pale suede and black inserts gives the shoe a graphic, almost photographic quality at ground level, and the pale tone punishes trousers that lean orange: a tan chino looked wrong beside it on the very first wearing. I have dressed it cooler ever since. The black inserts under the white sole draw a shadow line along the shoe, the detail friends notice before the colour.
Honest limitations, two. Pale beige suede is beautiful for approximately one dry season unless you brush and protect it; mine has stayed even, but it is a commitment. And the colour offers little contrast with pale socks or pale hems, so the shoe can visually disappear; darker socks let the black inserts do the anchoring.































