Two leathers share this bag, and that is the point. Vert Cypres is a deep evergreen, almost black in evening light, and the finish pairs matte alligator with the soft Taurillon Clemence the Picotin is loved for – one part dry and scaled, the other pebbled and slack, meeting like two chapters of one story.
Its measure: 18 cm square by 13 cm deep, the familiar small bucket. Gold hardware lets the green read as jewel rather than camouflage, and the matte finish refuses the shine glossy alligator would throw, which keeps the bag more daytime than display case.
Given the materials, I carry it sparingly and deliberately: a phone, a thin card wallet and the car keys, plus one lipstick – nothing loose, nothing that rattles. The alligator sections appreciate a dry life; I keep the bag out of rain entirely, because matte scales show water marks until they fade, and I store it stuffed so the Clemence half keeps its soft body without collapsing the firmer panels.
The honest note is care: matte alligator is drier to the touch than most people expect, and dry skins ask for occasional conditioning. Keep it fed, keep it dry, and the two textures settle into each other in a way single-leather bags cannot match.
A closing thought on materials: mixed leathers are not for every collection, but when done like this they give you two bags’ worth of texture in one silhouette – daytime secrecy from the Clemence, evening depth from the scales.













































