Deep green body, violet mane, yellow accents — this is the Rodeo for people who think they have seen every colourway. There is nothing logical about the combination, and that is precisely the argument for it. A friend described it as a bruise in a good mood, and I cannot improve on that.
Milo lambskin takes dye deeply, so the cypress green has a moody, forest-floor darkness while the Jaune Milton tips glow like a lit match. Barely ten centimetres from nose to tail and seven or so tall, it stays proportionate even on a mini Kelly. On a table it stands upright without support, which is more than most trinkets manage. In a black handbag it levitates; against white it settles down.
Mine went to a December dinner clipped to a small black evening bag, and the violet caught the candlelight every time I moved. In daylight the green does most of the talking and the violet is the aside. It pairs unusually well with tweed, and I have stopped trying to explain it and started recommending it. The ears are outlined in yellow thread, which I only noticed in month two.
The warning is simple: three colours this specific quarrel with busy prints, so wear it against solids and let it be the story. The yellow-facing leather is the thinnest part, so keep it away from car keys. Handmade in France in small batches; worn once a week, it will look new for years. It is the only charm I own that strangers believe was custom-made.





















