Blue Pale, Rose Sakura, Blue Saphir – three blues and a rose walk into one small bag, and the result is a Picotin that looks composed rather than merely coloured. The pale blue and the pink keep the sapphire from going too serious, and the sapphire keeps the pastels from floating away. It is the most painterly bag in the batch.
A cube of eighteen centimetres, thirteen deep, worked in soft Taurillon Clemence with a pebbled, giving hand. The leather list on this version also notes Swift, a denser, smoother calfskin whose surface reads crisper wherever it sits next to Clemence’s grain. The contrast is subtle in daylight and part of why the finish feels bespoke.
Phone, cardholder, keys and a tinted balm ride with me, and I let the bag’s colourwork be the decoration. It sits beautifully on a table at brunch, which is where I first noticed how many tablecloths it flatters: linen, marble, wood.
One practical word: with three tones in play, keep an eye on what you wear. Busy prints fight it; solids of navy, white, grey or pink make it sing. And as with any light leather, keep it to dry weather and the blues will stay true.
As for me, I treat it as the bag to wear when the plan is to be looked at gently – brunch, a gallery, a long lunch. It has never once read as too much or too little, and that balance is rarer than it sounds.





































