Thirty-seven gold is the colour I would bet on if I could own only one Constance Slim. It is a deep, warm camel that photographs as brown, reads as tan in sunlight, and sits beside black, navy and cream without ever looking like it is trying too hard.
The format is the same slim wallet on a strap: twelve and a half centimetres across, ten high, three deep, with a fixed strap that drops 120 cm and hangs crossbody on most frames. Inside, cards stack behind the front panel, notes fold once, and there is just enough room for a key and some coins if you travel light.
Epsom’s heat-embossed grain is the reason this colour survives daily use: the surface is pressed and firm, so it shrugs off keys inside a bag and does not crease across the fold. The gold-tone clasp and fittings against the camel leather make a pair that looks older than it is, in the way good neutrals always do.
What I would flag: camel leathers like this one show rain marks more than black does, and Epsom is stiff enough on arrival that the first fortnight feels unbroken-in. A soft cloth and an evening’s rest deal with most water spots; the stiffness simply disappears with use.
I carry it most in autumn, when the colour matches the season and the pockets of a coat line up conveniently with a strap this length.



















































