Whose idea was it to put misty blue, royal blue, rose, copper and cream on one bird? The same person who knew it would work: this is the sky at dusk rendered in leather, with the copper and rose doing the work of a setting sun and the nata and noir keeping the whole thing from floating away.
Four skins build the illusion — Epsom calfskin for the crisp panels, Mysore goatskin and Swift calfskin for the softer planes, Milo lambskin for the small details that catch the eye. The blues are the stars: Bleu Brume is the pale, washed one and Bleu Royal the saturated contrast, and the jump between them is what gives the charm depth at any viewing distance.
In the hand it stretches a whisker past twelve centimetres from crest to tail, and it rides flat against a bag thanks to its shallow two-centimetre body. Palladium-plated hardware keeps the metals understated. I would hang it on a navy or grey bag where the rose and copper accents pop, or on natural canvas for a more casual read.
One honest observation after carrying one through a week: this is a charm that people touch. Everyone who notices it reaches out, and fingers leave a sheen on the pale blue Epsom. A dry, soft cloth on Sunday evenings undoes most of it, but if you dislike the idea of your accessories being handled by strangers, choose a darker colourway and admire this one from a shelf. For everyone else, it is the charm that starts conversations — and I have yet to meet someone who regretted the hello.























