Sapphire is a colour that usually arrives with a jeweller’s formality; 73 Blue Saphir on chèvre dissolves that completely. Because goat leather absorbs dye unevenly by nature, this blue ends up slightly marbled — deep in the folds, brighter across the flat of the flap — and it reads like water rather than enamel.
This Kelly Mini 2 is 19 x 12 x 5.5 cm, and the lightness of chèvre is the difference between a bag I use and a bag I save. Worn crossbody, it barely registers on the shoulder; worn on the arm with the top handle, it sits like a leather bracelet. Gold hardware is the traditional match — brass on blue looks like a shipping-lamp fitting, in the best way — and my daily payload is phone, card holder, keys, lipstick, plus the zip pocket for coins.
Evening is where this colour earns its keep. Under restaurant lighting, Blue Saphir goes near-black at the edges and jewelled in the centre, and it pairs with grey tailoring as easily as with jeans. The sanglé straps and turn-lock feel reassuringly solid on a leather this soft; chèvre is supple but it does not wobble.
Honest note from use: the fine grain of chèvre shows fingernail traces near the handle mounts, most visible on dark saturated colours like this one. They blur within a day with a fingertip or a dot of wax. Also, because the dye takes unevenly, do not expect the flat, identical blue of an Epsom bag — expect variation, which is either the point for you or it isn’t. For me it is the entire point.

























































